Some of you have heard me tell the story personally, or read my post when TERRY HALL đŹđ§ passed away in late 2022.
For reference, here is a long snippet of that post-
In the Fall of 1979 I had started my last year of law school at Western in London Ontario (for those in the group not from these parts.) I was sports editor for the University student paper – the Gazette. Just before Christmas the entertainment editors introduced my to some strange new music. It was called âpunkâ. Some called it ânew waveâ.
I started buying a few records. By February 1980 I had acquired maybe 12 records and was listening to them like crazy. One day I went into Records on Wheels and bought two new records that looked sort- of the same with their black and white covers.
One album was âOne Step Beyondâ by a London UK band called Madness.
The other LP was the self- titled âThe Specials.â The band was from Coventry England in the Midlands. Like WĂŻndsor, Coventry was am automotive town. It was also a bit of a rough and tumble place.
Anyway the LP was produced by Elvis Costello. The music was a blend of a type of reggae known as âskaâ and punk music. It was exhilarating. The lyrics were very socially focused-
Yaâ done too much, much too young
Now youâre married with a son
When you could be having fun (with me)
Ainât he cute, no he ainât
Heâs just another burden on the welfare state!
I gobbled up the songs and lyrics on this album in a week and then came back home for reading week.
Once home I looked in the Detroit newspaper and discovered The Specials were playing outside Detroit the next night! It was truly serendipitous. Little did I know it transform my life as much as anything.
Three of us went over. The venue was called Center Stage.
I figured the evening was a bit of a booking screw up. The first band up was a heavy metal outfit from nearby Ohio named Teezer. I am guessing that the show was originally scheduled as their event. Most of the people there were obvious metal heads and were not happy their band was not headlining. To say Teezer were beyond bad would be an understatement. It was embarrassingly painful to watch.
Mercifully it ended and after a short break out came the Specials. 7 guys. 2 black. 5 white. Their label was called âTwo-Toneâ.
Anyway, the band start playing and it was insane. It was loud, energetic and catchy. We were dancing and going wild.
But there was a problem. At least I thought it was a problem.
There were these guys who kept jumping on the stage and dancing madly and crashing violently around the band.
The bouncers were tossing these punters towards our front row seats. Once the guys hit the floor they got right up and went back on stage. It was pandemonium.
About 5 songs in the band stopped playing abruptly. I was furious that these punks might have caused a cancellation of this gig. I was not happy.
Patrons yelled and lit their lighters for what seemed 10 minutes or more. I sort of figured that the punk anarchy we had witnessed was going to have cancelled the show.
Boy, was I wrong and was my conventional thinking wrong!
The band came back on stage to huge cheers.
Lead singer Terry Hall stated in his thick Coventry brogue-
âThe bouncers are ruining the Fookinâ gig!

If the people want to dance, let up Fookinâ dance!!â
And with that the band started up! Within 10 seconds there I was up from my front row location onto the stage, damn near cheek to cheek with Terry Hall loudly singing and dancing along! The stage filled with dancing punters. All of us were singing loudly and fookinâ dancing as commanded by HALL!
After the song, everyone exited the stage and the show continued without incident.
My life had changed permanently! While I was clearly getting keen on this punk/ post punk thing, I found my musical home permanently that night.
This was the music for me.
It was raw.
It was true.
It was insightful and thought- provoking
There were no costume changes
It was about the music and the message.
My fanatical interest in this music solidified that very night. It hasnât wavered a scintilla since.
To give you a sense of what it was like that night here is a YouTube video of the band playing âToo Much Too Youngâ live.
Below is a pic of my The Specials LP with my VIP sticker from that night. I took it off my shirt and affixed it to the record when I arrived home. Ironically, and prophetically, the pass states âNo Stageâ.

But after the epoch- defining debut, there was mostly disappointment.
The second coming by the SPECIALS was, to me, woefully lame.

âMore Specialsâ was neither.
It captured none of the urgency and vibrancy of the debut. Nor was it special. To me it was essentially an LP of silly lounge music.
Then, other than the later single âGhost Townâ (1981), it was over. The band split up.
TERRY HALL, NEVILLE STAPLE and LYNVAL GOLDING then formed a new outfit with the name FUN BOY THREE!

I thought this is it! This second coming will take me to where âMore Specialsâ should have.
It did not.
Their most successful track was âThe Lunatics Have Taken Over The Asylum.â
Enjoy it on Blue Monday 2025.
SPOTIFY-
https://open.spotify.com/track/2wQXH5K99vjpx2hge3PdFH?si=bbcrmVLlQ126E0p29Yy4dg
If you have made it this far, I hope you enjoyed this extra- long missive. It was at least 25% longer than any previous postâŚ
(SONG 911)
PLAY LOUD OR PERISH (More Than Ever)
1/20/2025

Leave a Reply